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April 7, 2014 at 5:26pm

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Reblogged from blushingcheekymonkey
blushingcheekymonkey:

josef albers - avignon am papste-palast VII (1929)

blushingcheekymonkey:

josef albers - avignon am papste-palast VII (1929)

(via journalofanobody)

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5:26pm

48 notes
Reblogged from davideliasrebecca

Calm Down
what happens
happens mostly
without you.

Josef Albers, from Poems and Drawings, 1958.

Here, audio gallery of the Galleria Civica di Modena exhibit, 2010.

(via davideliasrebecca)

(via journalofanobody)

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April 6, 2014 at 1:46pm

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More unanswerable questions please..

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12:13pm

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Reblogged from journalofanobody
journalofanobody:

James Pitts

journalofanobody:

James Pitts

(via iamjapanese)

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12:08pm

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Anonymous asked: Do you want me?...

*OMG*

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11:53am

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The scrapbook has long been used as a storehouse for memories — to preserve a lock of hair, a sentimental piece of correspondence, a magazine clipping, or a beloved snapshot. Finding a historical precedent in the 17th-century commonplace book, in which bits of scripture might be jotted down alongside literary quotations and recipes, the scrapbook evolved into a highly crafted visual record, a diary not just of thoughts, but also of things. Artists began to engage with the scrapbook in earnest in the postwar period, using the page as variously as the canvas, albeit on a smaller scale. As the title ‘Paperwork’ suggests, this display explores how contemporary artists have used the scrapbook to forge an intimate artistic identity, in opposition to the bureaucratic, administrative papers that provide official identification.

The scrapbook has long been used as a storehouse for memories — to preserve a lock of hair, a sentimental piece of correspondence, a magazine clipping, or a beloved snapshot. Finding a historical precedent in the 17th-century commonplace book, in which bits of scripture might be jotted down alongside literary quotations and recipes, the scrapbook evolved into a highly crafted visual record, a diary not just of thoughts, but also of things. Artists began to engage with the scrapbook in earnest in the postwar period, using the page as variously as the canvas, albeit on a smaller scale. As the title ‘Paperwork’ suggests, this display explores how contemporary artists have used the scrapbook to forge an intimate artistic identity, in opposition to the bureaucratic, administrative papers that provide official identification.

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9:51am

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Dangerous Minds | Einstürzende Neubauten’s Blixa Bargeld, kitchen magician!

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6:19am

178 notes
Reblogged from blankdiary
blankdiary:

morella

blankdiary:

morella

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5:50am

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UNLIMITED GRAIN GALLERY CONTEST

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April 5, 2014 at 6:22pm

153 notes
Reblogged from retrofutureground
retrofutureground:

Arthur Siegel, Silver Gelatin Print, 1963

retrofutureground:

Arthur Siegel, Silver Gelatin Print, 1963

(via yama-bato)

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